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The poetry, fiction and nonfiction in Vol. 4 spans Mt. Fuji to a porn shop to the galaxies housed within the human skeleton to a hut in Chad. This issue is all about artistry. Each piece shows what happens when written language is taken the distance: The finer the use of words, the more deeply we comprehend the locations that hold us, change us or refuse us. |
Silk Road Review a literary crossroads |
Volume 4, Issue 1 |
© 2009 Silk Road. All rights reserved. |
Jeffrey Alfier Taylor Altman Karen Babine John Campbell M.R.B. Chelko Elizabeth J. Colen Michele Kyoko Crowson Valerie Fioravanti Jonathan Greenhause |
Tim Keane Brian Maxwell Myriam Moraz John Paul O'Connor Robert Peake Amy Pence Nicole Louise Reid Tony Revay Josie Sigler |
Erin Elizabeth Smith Dana Sonnenschein Jacob Robert Stephens Pierre-Alain Tache William Taylor Jr. Ange Tysdal Tom Weller Karen J. Weyant |
Artists in this Issue |
Cinnamon by Ange Tysdal On the island of Ceylon grows a tree with bark, thin strips macerated in sea water, distilled golden yellow, or quills rolled then burned releasing the hot odor of cinnamon, or Cassia, cinnamon-tasting spice. Some dream of ovens filled with spice spirals laced with the ground bark of trees once owned by Dutch traders, a cinnamon monopoly macerated by the Brits, Ceylon conquered and burned, seventeen-ninety-six, golden age of cinnamon. When the golden powder priced like silver, a spice, the currency of kings who burned pyres of it for a year, on logs of trees cut by Nero who macerated his wife. Masking his sin: cinnamon. Thelemic Magick used cinnamon to invoke Apollo, god, golden fulgar, the sun macerated human idol, muscle and spice lying underneath an almond tree, watchful tree that watched when brush burned words to Moses. Relieve the burned throats of the Medieval cinnamon traders, the scampers of Ceylon's tree, A Hoodoo ingredient, the golden dust of laving, lecherous spice-- some wedded thrones macerated by its magic. Macerated mummies, embalmed pharoahs now burned, excavator charring the spice engraved on tombs tinged with cinnamon, blue crown adored with war and golden discs, hieroglyph carved on dead tree limning the life of spice, cinnamon macerated rinds of trunk burned drawing golden sapor from trees. Excerpt from My Last Horse by Josie Sigler Many of those lost to The Ranch are lost to cowardice and fear of living so far off the grid. But mostly we lose folks to loneliness. To work with horses who have been abandoned, starved, poisoned--acts unmentionable in polite company--you must be a highly trained horse-hand or in a tenth of a percent of profoundly intuitive born healers, like me. You must exist for the horses, not riches or recognition or even thanks. You don't have time for flossing, let alone love. Still, on occasion, Chip, Jesse, or one of the others brought a woman home from a weekend spent carousing. She'd fall in love with the man, the land, and the mission, in that order. But it's hard on a woman to live for a man alone. Bored or exhausted by playing second fiddle to horses squalling in the night, the women get restless. They leave after a few months, despite the earth here that smells like a wild mushroom, the air that presses into your skin like a body, the hills. When a woman leaves, many a man follows, claiming true love. Love, nothing. As a man begins to understand the true sacrifices he must make to live the life he dreams of, he often loses his courage for such a life. |
Silk Road is made possible by the generous support of Pacific University in Oregon |